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Menu
  • About
    • Prof. Paul Whitty
    • Prof. Ray Lee
    • Dr. Patrick farmer
    • Harriet Butler
    • Stephen Cornford
    • Dr. Paul DIbley
    • Affiliates
  • Projects
    • Audiograft
      • 2011
      • 2012
      • 2013
      • 2014
      • 2015
      • 2016
        • Audiograft blog 2016
      • 2017
    • Residencies
      • Patrick Farmer & David Lacey
      • Joseph Clayton Mills
    • Sound Diaries
  • Events
    • Concert Posters
    • Documentation
    • Get some chalk on your boots!
    • Lost and Found
    • Significant Landscapes
    • Sound I’m Particular
      • 2015/2016
      • 2018/2019
    • The Politics of Ambience
  • Practitioners
    • Richard Bentley
    • Mike Blow
    • Harriet Butler
    • Daniela Cascella
    • Gary Charles
    • Stephen Cornford
    • Késia Decoté
    • Max Eastley
    • Stephen Eyre
    • Patrick Farmer
    • Felicity Ford
    • Geoff Geer
    • Ben Gwilliam
    • Charlotte Heffernan
    • Sarah Hughes
    • Sam Kidel
    • Kostis Kilymis
    • Ray Lee
    • Martin Nutt
    • Shirley Pegna
    • Lee Riley
    • Janek Schaefer
    • Austin Sherlaw-Johnson
    • Paul Whitty
  • Shop
    • Get Rid!
    • Get Some Chalk On Your Boots!
    • Listening and its not
    • The Sound of Normalisation
    • Trichromatic Moiré
    • ULTRAS MASH UP
    • Yew Grotesque
  • Contact

Austin Sherlaw-Johnson

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Austin Sherlaw-Johnson read for his PhD at Oxford Brookes.

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SARU is a research group that provides a forum for dialogue and exploration between the fields of experimental composition and sound art. It is situated in the School of Arts at Oxford Brookes University between the fields of Music and Fine Art. Areas of interest include electroacoustic and language based composition, interdisciplinary practices, field recording and auditory knowledge. SARU is bolstered by a community of practitioners and is home to audiograft, a festival of contemporary experimental music and sound art.

You can get involved in SARU through our new MA Sound Arts course and our PhD programme.

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