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Menu
  • About
    • Prof. Paul Whitty
    • Prof. Ray Lee
    • Dr. Patrick farmer
    • Harriet Butler
    • Stephen Cornford
    • Dr. Paul DIbley
    • Affiliates
  • Projects
    • Audiograft
      • 2011
      • 2012
      • 2013
      • 2014
      • 2015
      • 2016
        • Audiograft blog 2016
      • 2017
    • Residencies
      • Patrick Farmer & David Lacey
      • Joseph Clayton Mills
    • Sound Diaries
  • Events
    • Concert Posters
    • Documentation
    • Get some chalk on your boots!
    • Lost and Found
    • Significant Landscapes
    • Sound I’m Particular
      • 2015/2016
      • 2018/2019
    • The Politics of Ambience
  • Practitioners
    • Richard Bentley
    • Mike Blow
    • Harriet Butler
    • Daniela Cascella
    • Gary Charles
    • Stephen Cornford
    • Késia Decoté
    • Max Eastley
    • Stephen Eyre
    • Patrick Farmer
    • Felicity Ford
    • Geoff Geer
    • Ben Gwilliam
    • Charlotte Heffernan
    • Sarah Hughes
    • Sam Kidel
    • Kostis Kilymis
    • Ray Lee
    • Martin Nutt
    • Shirley Pegna
    • Lee Riley
    • Janek Schaefer
    • Austin Sherlaw-Johnson
    • Paul Whitty
  • Shop
    • aspects of the morning
    • Azimuth, the Ecology of an Ear
    • Get Rid!
    • Get Some Chalk On Your Boots!
    • Listening and its not
    • The Sound of Normalisation
    • Trichromatic Moiré
    • ULTRAS MASH UP
    • Yew Grotesque
  • Contact

Author: Harriet Butler

Tullis Rennie – Muscle Memory

Tullis Rennie – Muscle Memory

  • Announcements
Harriet ButlerFebruary 3, 20190
  For the penultimate talk of Sound I’m Particular, Tullis Rennie will be bringing Muscle Memory to the Old Fire Station. Friday 22nd February 2019 7.30 – 9.30pm Pay What You Decide (PWYD) Muscle Memory is a new record by …
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Sound I’m Particular: Leila Johnston, 8th June 2018

Sound I’m Particular: Leila Johnston, 8th June 2018

  • Announcements
Harriet ButlerMay 20, 2018May 20, 20180
The Sonic Art Research Unit (SARU) presents Sound I’m Particular, a series of Pay What You Decide talks held at The Old Fire Station, Oxford.  These evening events will take place between April 2018 and April 2019, 7:00-9:00pm. Sound I’m Particular is a Pay …
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Sound I’m Particular talk series, Geoff Sample, May 22nd

Sound I’m Particular talk series, Geoff Sample, May 22nd

  • Announcements
Harriet ButlerApril 18, 2018April 18, 20180
The Sonic Art Research Unit (SARU) presents Sound I’m Particular, a series of Pay What You Decide talks held at The Old Fire Station, Oxford.  These evening events will take place between April 2018 and April 2019, 7:00-9:00pm. Sound I’m Particular is a Pay …
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Patrick Farmer – Field Recording Archive #3. Underneath Aberystwyth Pier

Patrick Farmer – Field Recording Archive #3. Underneath Aberystwyth Pier

  • Announcements
Harriet ButlerJuly 12, 2017July 13, 20170
  3. I think these recordings represent only themselves, for me they are material. Paradoxically however, I currently consider field recording to be a point in otherness, a knot in motion. Listening back is a wildly different experience that is …
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Patrick Farmer – Field Recording Archive #2. Apis Mellifera

Patrick Farmer – Field Recording Archive #2. Apis Mellifera

  • Announcements
Harriet ButlerJuly 11, 20170
  2. Most of the recordings in this archive haven’t been specifically mastered, or even edited, beyond the contextual necessity of framing, most of them were never made with a particular project in mind. They are indicative of a phase …
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Patrick Farmer – Field Recording Archive #1. Photosynthesising Pondweed

Patrick Farmer – Field Recording Archive #1. Photosynthesising Pondweed

  • Announcements
Harriet ButlerJuly 10, 20170
The Sonic Art Research Unit (SARU) have commissioned Patrick Farmer to make a selection of his field recording archive public through ‘Radar’, a repository of original research and publications authored by staff and students of Oxford Brookes university. The field …
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Find us elsewhere

SARU is a research group that provides a forum for dialogue and exploration between the fields of experimental composition and sound art. It is situated in the School of Arts at Oxford Brookes University between the fields of Music and Fine Art. Areas of interest include electroacoustic and language based composition, interdisciplinary practices, field recording and auditory knowledge. SARU is bolstered by a community of practitioners and is home to audiograft, a festival of contemporary experimental music and sound art.

You can get involved in SARU through our new MA Sound Arts course and our PhD programme.

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