3. I think these recordings represent only themselves, for me they are material. Paradoxically however, I currently consider field recording to be a point in otherness, a knot in motion. Listening back is a wildly different experience that is …
Author: Harriet Butler
2. Most of the recordings in this archive haven’t been specifically mastered, or even edited, beyond the contextual necessity of framing, most of them were never made with a particular project in mind. They are indicative of a phase …
The Sonic Art Research Unit (SARU) have commissioned Patrick Farmer to make a selection of his field recording archive public through ‘Radar’, a repository of original research and publications authored by staff and students of Oxford Brookes university. The field …