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Menu
  • About
    • Prof. Paul Whitty
    • Prof. Ray Lee
    • Dr. Patrick farmer
    • Harriet Butler
    • Stephen Cornford
    • Dr. Paul DIbley
    • Affiliates
  • Projects
    • Audiograft
      • 2011
      • 2012
      • 2013
      • 2014
      • 2015
      • 2016
        • Audiograft blog 2016
      • 2017
    • Residencies
      • Patrick Farmer & David Lacey
      • Joseph Clayton Mills
    • Sound Diaries
  • Events
    • Concert Posters
    • Documentation
    • Lost and Found
    • Significant Landscapes
    • Sound I’m Particular
    • The Politics of Ambience
  • Practitioners
    • Richard Bentley
    • Mike Blow
    • Harriet Butler
    • Daniela Cascella
    • Gary Charles
    • Stephen Cornford
    • Késia Decoté
    • Max Eastley
    • Patrick Farmer
    • Felicity Ford
    • Geoff Geer
    • Ben Gwilliam
    • Charlotte Heffernan
    • Sarah Hughes
    • Sam Kidel
    • Kostis Kilymis
    • Ray Lee
    • Martin Nutt
    • Shirley Pegna
    • Lee Riley
    • Janek Schaefer
    • Austin Sherlaw-Johnson
    • Paul Whitty
  • Publications
  • Contact

2012

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The SARU (Sonic Art Research Unit) provides a forum for dialogue between the fields of Experimental Composition and Sound Art. Areas of focus include electroacoustic and language based composition; interdisciplinary and site-specific practices; field recording and soundscape studies. We curate the annual sound festival, audiograft, programme various symposia, organise concerts, promote exhibitions, and support the development of online projects such as Sound Diaries and Found Soundscape. SARU is bolstered by a community of practitioners.

You can get involved in SARU through our new MA Sound Arts course and our PhD programme.

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