Sounds Like Listening’ is the end of year show–featuring new work by Sound Art and Music MA students–as part of the School of the Arts at Oxford Brookes University. Ranging from cinematic pieces to conceptual performance, these works explore ways …
aspects of the morning is a pillow book to the river lea; a spatial poem beginning at dawn and following the river’s course until noon, portraying as a splay of seemingly disassociated words on the page, helen’s deep acoustic …
Out May 27th 2019 Limited numbered edition A5 paperback (291 pages + a4 foldout image) ISBN: 978-1-9996176-3-9 Published by the Sonic Art Research Unit £10 (UK) Add to cart £13 (rest of world) Add to cart “I don’t see this …
Azimuth, the Ecology of an Ear, published by the Sonic Art Research Unit, edited and curated by Patrick Farmer, is now available for pre-order. Prices include postage. UK / £10 Rest of the world / £13 Azimuth, the ecology …
Sound Diaries (an ongoing project with the aim of recording everyday life in sound) have just put out an Open Call, to begin at the audiograft Festival, taking place in Oxford from March 14th to 17th. Sound Diaries are looking for …
For the penultimate talk of Sound I’m Particular, Tullis Rennie will be bringing Muscle Memory to the Old Fire Station. Friday 22nd February 2019 7.30 – 9.30pm Pay What You Decide (PWYD) Muscle Memory is a new record by …
Saru’s Paul Whitty was recently interviewed on the BBC as part of their ‘Boring’ series. Click HERE to listen to the sound of football not happening Get Rid!
We’re pleased to invite you to our last Sound I’m Particular event of 2018 Felicity Gee – Rejected Narration: Stretching the Limits of the ‘City Film’ in Guy Maddin’s docufantasia My Winnipeg (2007) Friday 7th December, 2018 7:30-9:00pm PWYD …
The Sonic Art Research Unit (SARU) presents Sound I’m Particular, a series of Pay What You Decide talks held at The Old Fire Station, Oxford. These evening events will take place between April 2018 and April 2019, 7:30-9:00pm. …